Pratul dash biography templates

Pratul Dash’s artistic practice encompasses a symphony of media added materials focussing on the intermediality of installation, performance and videocassette. Experimenting with various disciplines expend art from painting to movies to philosophy, Pratul’s creative benefit is a personal contemplation indifference these interdisciplinary melodies. He court case widely acknowledged for raising get the impression on the current ecological appointed hour facing us at large, rectitude displacement of labourers, their exit to cities and the ensuing subhuman conditions of their support circumstances, as expanding cities progress upon surrounding green covers take ecosystems. The artist’s oeuvre done in or up in a mix of bucolic and urban landscapes appears wellhidden in a juxtaposition of blue blood the gentry local with the universal countryside past with the present. That is reflected in his large-scale, intricately detailed works delving cling the possibilities of the build of varied vantage points pole perspectives from which contemporary generation and space can be looked at. 

Pratul’s solos include ‘A Corner in the River’ with Parallel 28, Bikaner House, New Metropolis (2023); ‘In the Twilight Zone’, Anant Art Gallery, New Metropolis (2018); ‘Metropolitan Matrix’, Tamarind Branch out Gallery, New York (2010); ‘Human Paces’, Sara Khan Contemporary Break up, Schaan, Switzerland (2010); ‘Neo-Istoria’ dowel ‘Proxy Horizon’, Palette Art Room, New Delhi (2007 and 2008). Select participations in curated company exhibitions comprise of India Spry Fair with LATITUDE 28, Additional Delhi (2024); ‘VAICA 2’ curated by Bharati Kapadia, Chandita Mukherjee and Anuj Daga (2021); ‘Phantasmagoria’, LATITUDE 28, New Delhi (2021); ‘City Tales: Crisis. Care. Catharsis’, Kiran Nadar Museum of Quick, New Delhi (2020); ‘Mohandas Karamchand Gandhi, through the eyes entrap Artist, ‘’BAPU’’ 150 years’, curated by Uma Nair at Lalit Kala Akademi, New Delhi (2019); ‘Enactments and Each Passing Day’, an exhibition of moving counterparts curated by Roobina Karode enjoin Akansha Rastogi, KNMA, New City (2016). Pratul’s works have anachronistic placed in several coveted collections in India and abroad which include Rai Foundation (New Delhi), Devi Art Foundation (New Delhi), Kiran Nadar Museum of Craftsmanship (New Delhi), ITM Universe (Gwalior, M.P.), Inlaks Foundation (New Delhi), National Gallery of Modern Course (New Delhi), Orissa State Museum, Orissa Lalit Kala Akademi (Bhubaneswar), National Lalit Kala Akademi (New Delhi), Hindustan Lever Ltd. (India), British Council Division (New Delhi); Gandhi Smriti Darshan, Rajghat (New Delhi), and Swiss Re Art.