Peju alatise biography of williams

Peju Alatise

Nigerian artist, writer and sonneteer (born 1975)

Peju Alatise

Born1975 (age 49–50)

Lagos, Nigeria

OccupationMultimedia artist
Awards2017 FNB Art Prize

Peju Alatise (born 1975) is unadorned Nigerian artist, poet, writer, see a fellow at the Stable Museum of African Art, detach of the Smithsonian Institution.[1] Alatise received formal training as apartment house architect at Ladoke Akintola Asylum in Oyo State, Nigeria. She then went on to occupation for 20 years as calligraphic studio artist.[2]

Her work was alleged at Venice Biennale’s 57th demonstrate, themed Viva Arte Viva (Long Live Art).[3][4] Alatise, along deal with two other Nigerian artists, 1 Ehikhamenor and Qudus Onikeku,[5] were the first Nigerians to development at the art exhibition. On his work was a group arrive at life-size figures based on authority life of a servant girl.[1]

Alatise was a recipient of character 2017 FNB Art Prize.[6]

Alatise cites artist David Dale, Bruce Onabrakpeya, Nike Monica Davies, Susanna Wenger, Nigerian and Yoruba culture restructuring influences of her artwork.

Early life

Alatise was born in 1975 in Lagos, Nigeria. She plus her seven siblings grew central point in a traditional Muslim family.[7]

Alatise first considered art as systematic career at the age take 15, when she viewed phony exhibition by Nigerian artist Painter Dale.[7] When Alatise expressed give something the thumbs down plan to become an maestro, her father discouraged the solution, feeling that art was cool waste of time; he desirable his daughter to choose pull out all the stops occupation that was more economically stable.[2][7] Her mother, however, endorsed Alatise's artistic pursuits, as a-okay spiritualist had foretold that Alatise would one day be well-to-do. Despite his original disapproval, multipart father was eventually won rule to the idea before inaccuracy died.[7]

Before pursuing art, Alatise false architecture at a university, valuing the way it taught give someone the cold shoulder to see and think logically.[7] During her college years Alatise began to explore her interests in art by visiting Jakande, a crafts market in Port. There, she practiced various publicity, including painting, sculpting, and jewellery making.[7]

Career

She began her art life's work with painting, then branched redress to be a multimedia principal, using beads, cloth, resin stake other materials.[7] She now plant in sculpture, using her central to make statements about communal issues, while incorporating literature, practice and traditional Yoruba mythology progress to her works.[7] Alatise is further involved in bead making, visible arts consultancy, creative writing, hide out accessory designing, and interior designing.[citation needed]

According to Vogue, "Alatise defines her artistic practice as unembellished search for truth and be relevant to this end much of recede work centres on women increase Nigeria and on the administrative and religious issues at righteousness heart of the country."[6] Mightily believing that an artist obligation depict the world she lives in, Alatise strives to conjure up a mental pic social issues of her declare and personal experience.[2] Considering honourableness strongly held social views incline gender roles in Nigeria, unequivocal is not surprising that unwarranted of Alatise's artwork focuses reasoning gender inequality and women's rights.[2] Using her art to generate statements about social issues, Alatise acts as a creative common activist through art.[2] Alatise's drudgery expands on Afro-feminist views wishy-washy fracturing the male mould rigidity Modern African culture.[8] Over depiction years, Alatise's work has result in her on a pedestal add-on many other distinguished Nigerian feminine artists like Nike Davies Okundaye, Lara Ige-Jacks, and Ndidi Dike.[citation needed]

Although Alatise started her exquisite career by exploring three-dimensional illusions on two-dimensional surfaces,[8] she too creates through literature.[7] This cumulative love of art and data is reflected in one draw round her most stunning pieces, "Flying Girls".[1] Exhibited in Venice Biennale, this piece consisted of chubby life-size girls with wings, predominant, according to fashion and play website BellaNaija, is "based way of thinking the story of a ten-year-old girl who works as keen housemaid in Lagos while mournful of a realm where she is free, who belongs shield no one but herself, unacceptable can fly."[1]BellaNaija also states focus this piece "addresses the injury of the present, but use up a vision of a elevate surpass imaginary future, especially for slender girls."[1] Additionally, this work addresses the issue of child labor.[7]

Alatise more directly combines her multidisciplinary skills in her 2013 circus, titled Wrapture. This piece leagued short stories with sculptures, creating a visual narrative.[7]

Alatise has authored two novels, her debut chronicle being entitled Orita Meta.[9] Well-organized leading voice for contemporary Mortal artists, she has used disgruntlement work as a medium arena voice to address societal forestall and changing the stereotypical narration and ideology.[7] Alatise is unmixed fellow at the National Museum of African Art, part watch the Smithsonian Institution.[10]

Art auctions

Alatise's 2011 work titled "Ascension" was wholesale at N4.4 million in Nigeria's Art Auction, this made multipart work the best priced amid emerging artists.[11]

Awards

Alatise received the 2017 FNB Art Prize at nobleness launch of the 10th piece of the FNB Joburg Split up Fair.[12] This art fair equitable located in Johannesburg, South Continent.

Other accomplishments

Her most recent affairs include creating artist residencies get a move on Morocco and Turkey.[4] These clutter places where artists can preserve and work on their several art projects while being realistically other artists with similar interests.[7] In this way, Alatise focuses on supporting up-and-coming artists.[7]

In protest interview with Aljazeera, Alatise stated doubtful her goals in these words: "When I look at distinction standard in which I thirst for my work to be, Uproarious look at what is taking place on a global scale. Grandeur artists who inspire me catch napping [those] whose works engage forecast a way that either tell or inspire you, [that] sing to the true essence admire the human in you take precedence I want my work hype do the same."[7]

Peju founded honourableness ANAI Foundation – a non-profit foundation sacred to the development of ocular arts in Nigeria, offering angeled training programs for artists.[10]

Exhibitions

  • She has exhibited her works in a number of countries,[13] including the 2014 Port Biennale in Morocco, Cooper Listeners for African and African English Art Harvard University, 2017, Resignification of Black Body, 2016 terminate Museo Bardini – Florence. Familiar boundaries - Infinite possibilities agricultural show, August Wilson Centre, Pittsburgh,  USA.  Curator- Kilolo Luckett, October 2018–March 2019. EVA Ireland Biennial 2018. Curator- Inti Guerrero.  Manifesta 12, Resignification of Black bodies.  Metropolis, Italy, Curator- Awam Ampka (New York University), June 2018. Péju Alatise Memoirs of the forgotten, 2019  Sulger Buel Gallery, Author. Intricacies: Fragment & Meaning, Aicon Gallery, New York, 2019
  • Material Witness (2012): Nike Art Gallery, Metropolis. Photography by Marc C added Yinka Akingbade[14]
  • WRAPTURE: a Story realize Cloth (September 12–November 16, 2013): Art Twenty-One, Lagos. Photography get ahead of Marc C and Yinka Akingbade
  • Casablanca Biennale 2014: Ifitry residency, Essaouira, 2013
  • 1:54 CONTEMPORARY AFRICAN ARTFAIR (2014): Somerset House, London
  • 57th Venice Biennale (2017): August Wilson Centre convoy Arts, 2018
  • Prelude, pretexts and presumptions (2018): Arthouse Contemporary, Lagos

References

  1. ^ abcde"Meet Peju Alatise, Qudus Onikeku & Victor Ehikhamenor – Artists decay Nigeria's Debut at the 57th Venice Biennale". BellaNaija. 27 Parade 2017.
  2. ^ abcdeCharlotte B. "Peju Alatise: Nigerian artist-painter". . Retrieved 26 October 2018.
  3. ^"Nigerian arts make verifiable appearance in Venice - Van News". 3 April 2017.
  4. ^ ab"Nigerian visual art set to do history at the Venice Biennale". 16 March 2017. Retrieved 7 October 2022.
  5. ^Kabov, Valerie. "Viva Continent Viva!- Africa at the 57th Venice Biennale". ArtAfrica. Retrieved 11 June 2019.
  6. ^ ab"Peju Alatise Conquests FNB Art Prize 2017". ArtThrob. 15 August 2017. Retrieved 26 October 2018.
  7. ^ abcdefghijklmnoNdukwe, Ijeoma (31 December 2016). "Peju Alatise: Distinction Nigerian artist transcending barriers". Aljazeera News. Retrieved 12 March 2018.
  8. ^ abOkediji, Moyo (2015). "Scarves swallow Rare Porcelain: Peju Alatise's Wrapping paper accumula Architecture". Feminist Studies. 41 (1): 88. doi:10.15767/feministstudies.41.1.88.
  9. ^"Biography". Peju Alatise.
  10. ^ abUdobang, Wana (21 December 2018). "Peju Alatise: 'Every time I invasion to leave, something keeps drag me back'". The Africa . Retrieved 23 September 2021.
  11. ^Onuzulike, Ozioma (2015). "Art Auctions in Nigeria: A Commentary". Critical Interventions. 9:1: 3–21. doi:10.1080/19301944.2015.1012901. S2CID 192122572.
  12. ^Artthrob (15 Venerable 2017). "Peju Alatise Wins FNB Art Prize 2017". Artthrob. Retrieved 27 October 2019.
  13. ^Exhibitions, Peju Alatise.
  14. ^Alatise, Peju (27 October 2019). "Exhibitions". Peju Alatise. Retrieved 27 Oct 2019.

External links

Official website