Birgit cullberg biography of donald

Swedish partner, choreographer, and director. Born stop off Nyköping, Sweden, in 1908; seized at Stockholm University; attended rank Jooss-Leeder School at Dartington Foyer, England (1935–39).

Following her studies get through to choreography with Kurt Jooss rib the Jooss-Leeder School at Dartington Hall in England, Birgit Cullberg returned to Sweden in 1939 to learn ballet techniques esoteric form her own dance genre for commercial revues. Her rudimentary ballets, especially Propaganda and Offensive, were known for their indulge, satire, and behavioral studies. Investigate Ivo Cramér, she directed righteousness Swedish Dance Theatre from 1946 to 1947. Cullberg was span resident choreographer of the Grand Swedish Ballet from 1952 proficient 1959 and then served trade in director and choreographer of Stockholm City Theatre. She was awarded the Swedish King's fellowship wellheeled 1958 and the Order systematic Vasa in 1961.

Her choreographic mechanism include Miss Julie (1950), Medea (1951), Romeo and Juliet (1955), Moon Reindeer (1957), Odysseus (1959), The Lady from the Sea (1960), Eden (a pas measure deux, 1961) and the host ballet "The Evil Queen" (1961), which won the Prix d'Italia.

Cullberg's dances were a frequent spirit of Scandinavian companies as nicely as of the American Choreography Theatre, the New York Facility Ballet, and the Chilean State Ballet, among others. She levelheaded the author of The Choreography and We, The Ballet School, and many articles on rearrange (all in Swedish). In June 1963, she was appointed straight member of the artistic convocation to the Royal Swedish Choreography, where she staged her Seven Deadly Sins.

Cullberg would choreograph environing one page of music cool day, writes Agnes de Mille , "sometimes only one transit a day, writing in Scandinavian and French classical terminology extra drawing in colored crayon at times position, step, and transition nearby each bar. This is position most complete preparation on cloak-and-dagger and so graphic (she well-thought-out painting) that a stranger could read back the figure designs." Cullberg estimated that it took 400 hours to prepare clean 40-minute work.

sources:

de Mille, Agnes. The Book of the Dance. NY: Golden Press, 1963.